LOOKING BACK TO WHEN I WAS AN UNDERGRATUATE PHOTOGRAPHY STUDENT AT TYLER SCHOOL OF ART IN PHILADELPHIA, IT IS HARD TO DETERMINE THE BASIS OF MY WORK THEMATICALLY. THOUGH IT STARTED EARLY ON AS JOEL-PETER WITKIN KNOCK-OFFS AND EXCUSES TO PHOTOGRAPH NAKED PEOPLE, AS I CONTINUED TO WORK WITH THE MEDIUM AND TALK WITH MY SUBJECTS, I REALIZED I WAS BECOMING INCREASINGLY INTERESTED WITH THE THEME OF IDENTITY; SHOWING PEOPLE IN FANTASTIC TABLEUX, YET THE VIEWER COULD STILL COULD HAVE A CONNECTION TO.
